127 Hours Poster

I finally got to see 127 Hours this weekend, and after I did, I thought it would be good to make something in regards to it. Not that this movie poster was in need of a redesign, the one it had was actually really great, but I just wanted to make one in my own style.

If you haven’t seen this movie, make a point to catch it at some point, James Franco is great in it. The movie’s pretty difficult to watch at some parts, and the fact that this is based on a true story makes it even more so.

There’s a very distinct color scheme in the movie which I hope to have captured with this.

Music Monday 11.29.10 Kanye West

So upon the recommendation of just about everyone, I gave Kanye West’s new album a few more listens. I’m not exactly sure how my tone came off a few weeks ago so I want to make this clear: I think this a good album, and probably one of the better of the year. But I don’t think it’s this year’s best… I don’t even think it’s his best. But it is good. There’s something to it, that you can get behind the songs that you don’t even really like that much. I think it’s a creative album by most standards, but not all. It’s funny to me that it’s getting showered with the compliments of how unique it is, but in comparison to some truly unique acts, I think it still falls short.
Again though, it’s good.

The idea for this poster came from the couple of Egyptian references Kanye makes on the song Monster, which I just couldn’t get enough of. You may also notice this is in the style of the last poster I did for him. I don’t know if it makes sense to say this or not, but the album sounds very black and red to me, and I think it would be cool to do a few more that fit this style of illustration.

Kirby’s dad lent me a few albums that he loves, that he thought I might enjoy, one of which being Eat A Peach by The Allman Brothers Band. He had told us that he wanted their song Blue Sky to play at his funeral. And even though that’s strangely sort of morbid to think of at this point, the song is pretty awesome, and would probably be the coolest funeral song ever. This album is southern rock, perhaps at it’s finest.

Brick + Mortar, who I know I’ve talked about before, are just one of the most creative and talented bands out there right now. They are emerging from the Asbury/New Jersey music scene and gaining a lot of deserving recognition and respect. If you have the chance to catch these guys, I would certainly not miss the opportunity. I actually had the fortune of seeing them twice over this Thanksgiving break. Once at The Stone Pony, and two nights later at a bar in Seaside. It was awesome to see that even in two completely different venues, one with a stage and an intense sound system, and the other with neither, they still performed great and made each environment work for them. I took some video of them from The Stone Pony, and I think it’s best you check them out. John Tacon is an absolute crazy person on the drums.

Music Monday 9.13.10 Weezer

I first heard Weezer in the summer before my freshman year of high school when I saw the video for Hash Pipe when it was fresh on MTV. I remember loving that they looked like nerds and thinking it was just the coolest thing ever. There was more to it than the pop punk I had been listening to, but still had an edge that made it cool. After that, I got my hands on the Blue album, and from there I was set. A year later Maladroit came out, and I remember buying that from a kid I went to school with who bought it but didn’t like it, and was willing to sell it to me for $5. I bought all the Weezer shirts Hot Topic was carrying at the time, one that looked like it was a shirt for a metal band, and the other which had a photo from the Keep Fishin’ video, which was the band posing with all the muppets. You really have no idea how cool I felt.

Anyway, the Blue album and Maladroit completely set the tone for my relationship with Weezer. Since then, I’ve gone both backwards and forwards in their catalogue making myself familiar with all their albums. I find that most people say they like Weezer and quickly follow that up with “Just Blue and Pinkerton,” and for whatever reason, that always bothers me a little. The more and more I listen to Weezer, I come to the realization that I actually do genuinely like them, not out of nostalgia, but because I like the songs. I’m accepting the fact that I’m not a casual listener, but instead a legitimate one.

Weezer has no doubt gotten worse over the recent years, and the albums have gotten cornier and cornier, but the truth of the matter is, if they have a new album, I will be listening to it, forming my opinion, and trying to come up with where I will place it in the inescapable album ranking list. (For those of you interested; Maladroit > Blue > Pinkerton > Green > Make Believe > Hurley > Red >>> Raditude.)

So when I set out to make this poster it took me a while to figure out the approach I wanted to take, but I finally arrived on this idea. For a band who is so often defined and dissected by their albums (whether it be which ones are classic or which ones are just plain awful) what better way to represent them then by there iconic (for better; Blue, Green, Red, or for worse, Raditude, Hurley, Make Believe….leave your own list in the comments) album covers?

By the way, Hurley is actually decent.