Music Monday 5.24.10 – 5.16.11

Well, it’s been a full year of doing these little old Music Monday posts. I started making posters for my “most listened to artist for the week (according to last.fm)” one year ago, and for 52 weeks have made something every Monday. I decided to make a collage of the work, much as I did the last time. It’s nice to see everything all next to each other and see how I evolved, or what waves of style I went though, or better, the waves of music I had interest in.
However, I think this is going to be the end of Music Monday if not forever then at least for a while. I sort of like doing things with a definitive start and end, and a year is a pretty good time to round things out. It’s been great, but I don’t want to be locked down to doing this anymore on a week to week basis. There’s many more projects I’ll probably work myself into, and I’m excited to do something completely different. Or maybe something terribly similar. Who knows.

Music Monday 11.21.10 Squeeze

So I know this is more than a little overdue, and I know it’s far from being a Monday, but hey, some weeks are just like that. So let’s get to it…

About two weeks ago I was lucky enough to pick up the vinyl of a favorite record of mine, Squeeze’s Singles 45′s and Under. It’s basically a collection of some hits from Squeeze, but unlike some singles compilations, this one was released by the band, which always seems to make it more legitimate. Regardless, this album is really filled with songs that honestly get better every time I listen to them. The back half of this record keeps getting better and better and it ends with Annie Get Your Gun which I could probably listen to on repeat for an hour.

It’s sort of funny because Squeeze just put out a new album (new recordings of old songs) on XOXO records, home to River City Extension. Glenn Tilbrook has taking a liking to the band, and actually sings on one of their songs. I’m hoping that sooner of later our paths cross, because you know, that would be awesome.

This poster was strongly influenced (okay, almost entirely) by their song Black Coffee In Bed, which if you aren’t familiar with, please check it out now.

Music Monday 11.15.10 Kanye West

I’m not the biggest Kanye West fan, to the point now, where I’m not sure if I’m a fan at all. I liked his first album, and the next two each a little less than the one before, and didn’t even listen to his last album at all. So when I heard he had a new album coming out, I wondered what I had missed in the few years I spent away from him. This new album My Beautiful Dark Twisted Fantasy was greeted with some early praises, and I had been seeing a slew of people give it praises I could tell were hyperbolic before I even listened to it. There was no way this could be the best album of the decade. Unless you were starting a new decade from the day you heard it. Maybe then. I don’t want to knock Kanye too much, because I think he’s a decently skilled lyricist and his samples are usually interesting, and this album really isn’t bad, but I will say I think he’s way past his prime, and also a jackass.

Nonetheless, in thinking about him more than I have in a long time, I realized that everything about his persona, and his iconic personality, would make for a great poster. So this idea came to me and I went with it.

Also noteworthy is Good Old War’s self titled album. I’m actually happy that this album feels like a continuation of their last. They’re clearly good at what they do, and that’s what I want to hear them doing. Some bands need to realize this and accept it, Good Old War seems to have done both.

Music Monday 11.8.10 M. Ward

M. Ward’s Post War is a phenomenal album. I’m forgetting which song, but one from that album came onto my iPod early in the week, and it just did me so right, that I got into a bit of an M. Ward groove that lasted the next few days. While all of his albums are great, Transistor Radio and Transfiguration Of Vincent, being in the top three, nothing beats Post War. If you don’t listen, that’s the place to start. But also, why aren’t you listening already?

I got Cee Lo’s new album this week. Something I was certainly looking forward to. Unlike most mainstream pop records, this actually packs a few punches and delivers on more than the single. I think we can all agree Cee Lo has been pretty impressive on anything he’s worked on, and this is really no different.

I picked up Scout Niblett’s record The Fool Can Die Now this weekend mainly because I was drawn to the cover, but also because I saw Will Oldham had some work on the album, and that was good enough for me. The songs where he sings certainly shine, but the whole thing ain’t bad.

Music Monday 11.1.10 Sufjan Stevens

Surprise, surprise, surprise. Sufjan’s yet again at the top of my listening charts this week. The fact that he was a discography the size of the real Illinois certainly helps, but it’s mostly because by the time I’m done listening to to one album, I want to move onto another. This process can go on for sometime as he’s got quite the range of albums stylistically.

Anyway, some of you may know that the name “Sufjan” means “comes with a sword.” And that is the key to this poster. Sufjan’s sword is certainly not literal, but it is absolutely metaphorical.

I also finally got a chance to see Local Natives this past week. And boy oh boy, really glad that happened. They said the first time they played Philly it was for 2 people at The Khyber… all things considered, what an enormous way they’ve come. The Troc was packed to the brim, and it was shaking at times. I would certainly do your best to see them anytime you can.

#musicmonday 2.8.10


This week was all about Broken Bells. Granted, I think I will forever be interested in anything Dangermouse, or in this case, Brian Burton, is a part of, but this is really one of the best yet. He’s paired up with James Mercer of The Shins. I’d have to say this is one of the better new things I’ve heard recently, and the artwork for the album is very awesome.

Grateful Dead was my second most listened to artist this week, something I’d never expected to happen. I could never get into them, and found them very corny, but Ian told me that’s because I never listened to Workingman’s Dead. So once I did, I moved on to Live/Dead, and then just this past week American Beauty. I’m far from a dead head, but I’m not at all opposed to getting down to them.

For a while I only had M.Ward’s Post War on my computer, which is by the way is very good, but I downloaded Transfiguration Of Vincent, which I hadn’t listened to since 2005, and I was enjoying that. He’s got such a distinct voice.

The Strange Boys are a band I caught wind of on Jeff’s blog. They are sloppy and fun and sound like a couple of guys who you’d like to see play in a crowded house show. Actually, I’d like to see that happen in a big way.

Dirty Projectors I’m sure you all know and love. I can almost always turn to them when I’m unsure of what I should be listening to. Make it a priority to see this band live.

Squeeze falls in next. Almost everyone loves them because almost everyone loves Tempted but I was determined to know more about them that. So I got Singles 45’s And Under because that’s what my Uncle Tim had when I was younger, and that was what I first knew about Squeeze. Some of their music still holds up, and some of it…well, you know.

I seem to always underestimate Why? Which is a shame to end all shames. But man, Alopecia is one of the best albums, like ever. It has so much to offer. Yoni has got so many great ways of arranging his words, and the way he half speaks his lyrics yet still the melodies are prominent, and good. If you walk away with this with one album, Alopecia should probably be it.

And finally I rounded it off with Tame Impala, a few dudes from Australia. Certainly psychedelic, they sound like the 60’s came to visit and dropped them off as a gift. I can’t help but hear the yelps of John Lennon popping through the vocals. Listen for a wild time.

As always, if your feeling like a bad boy, add me on last.fm