So upon the recommendation of just about everyone, I gave Kanye West’s new album a few more listens. I’m not exactly sure how my tone came off a few weeks ago so I want to make this clear: I think this a good album, and probably one of the better of the year. But I don’t think it’s this year’s best… I don’t even think it’s his best. But it is good. There’s something to it, that you can get behind the songs that you don’t even really like that much. I think it’s a creative album by most standards, but not all. It’s funny to me that it’s getting showered with the compliments of how unique it is, but in comparison to some truly unique acts, I think it still falls short.
Again though, it’s good.
The idea for this poster came from the couple of Egyptian references Kanye makes on the song Monster, which I just couldn’t get enough of. You may also notice this is in the style of the last poster I did for him. I don’t know if it makes sense to say this or not, but the album sounds very black and red to me, and I think it would be cool to do a few more that fit this style of illustration.
Kirby’s dad lent me a few albums that he loves, that he thought I might enjoy, one of which being Eat A Peach by The Allman Brothers Band. He had told us that he wanted their song Blue Sky to play at his funeral. And even though that’s strangely sort of morbid to think of at this point, the song is pretty awesome, and would probably be the coolest funeral song ever. This album is southern rock, perhaps at it’s finest.
Brick + Mortar, who I know I’ve talked about before, are just one of the most creative and talented bands out there right now. They are emerging from the Asbury/New Jersey music scene and gaining a lot of deserving recognition and respect. If you have the chance to catch these guys, I would certainly not miss the opportunity. I actually had the fortune of seeing them twice over this Thanksgiving break. Once at The Stone Pony, and two nights later at a bar in Seaside. It was awesome to see that even in two completely different venues, one with a stage and an intense sound system, and the other with neither, they still performed great and made each environment work for them. I took some video of them from The Stone Pony, and I think it’s best you check them out. John Tacon is an absolute crazy person on the drums.
So I know this is more than a little overdue, and I know it’s far from being a Monday, but hey, some weeks are just like that. So let’s get to it…
About two weeks ago I was lucky enough to pick up the vinyl of a favorite record of mine, Squeeze’s Singles 45′s and Under. It’s basically a collection of some hits from Squeeze, but unlike some singles compilations, this one was released by the band, which always seems to make it more legitimate. Regardless, this album is really filled with songs that honestly get better every time I listen to them. The back half of this record keeps getting better and better and it ends with Annie Get Your Gun which I could probably listen to on repeat for an hour.
It’s sort of funny because Squeeze just put out a new album (new recordings of old songs) on XOXO records, home to River City Extension. Glenn Tilbrook has taking a liking to the band, and actually sings on one of their songs. I’m hoping that sooner of later our paths cross, because you know, that would be awesome.
This poster was strongly influenced (okay, almost entirely) by their song Black Coffee In Bed, which if you aren’t familiar with, please check it out now.
So I got to work with NJ funny man, personality, and all around nice dude, Taylor Allen, on this poster for his radio show, Attack Of The Soundtrack. He came to me with not much more than name of the show, the idea of a record with teeth, and the free range to do something cool. I love when clients are so kind.
If you’re into laughing, music, movies, or any combination of these things, check out the radio show. Taylor is a great guy and quite deserving of your attention.
This past Friday marked another show Nom Now got to be a part of, this time at the very awesome Studio: Christensen. The show was fairy tale themed, so we decided to do some interpretations of some famous fairy tales, and I chose Beauty And The Beast.
I don’t assume you’re heard to brush up on the story, but if you’d like to, do so. Knowing the story certainly makes sense of the poster.
The entire piece is encapsulated in one giant tear drop, which is of course the key to the beast becoming a handsome prince.
So, big thanks to JT, the prince who runs the gallery, and to Christos who put the show on, and to everyone who came out, or wanted to, and to all our friends who braved parking in Rittenhouse on a Friday night to see the show and hang out. If anyone’s a huge Beauty And The Beast fan, I do have some posters left and I’d be glad to hook you up. The show will be up for a month or so, so if you want to see the rest of our stuff, and the other pieces from the other great artists, you have some time to catch it. But don’t wait too long, time seems to be flying by these days.
I’m not the biggest Kanye West fan, to the point now, where I’m not sure if I’m a fan at all. I liked his first album, and the next two each a little less than the one before, and didn’t even listen to his last album at all. So when I heard he had a new album coming out, I wondered what I had missed in the few years I spent away from him. This new album My Beautiful Dark Twisted Fantasy was greeted with some early praises, and I had been seeing a slew of people give it praises I could tell were hyperbolic before I even listened to it. There was no way this could be the best album of the decade. Unless you were starting a new decade from the day you heard it. Maybe then. I don’t want to knock Kanye too much, because I think he’s a decently skilled lyricist and his samples are usually interesting, and this album really isn’t bad, but I will say I think he’s way past his prime, and also a jackass.
Nonetheless, in thinking about him more than I have in a long time, I realized that everything about his persona, and his iconic personality, would make for a great poster. So this idea came to me and I went with it.
Also noteworthy is Good Old War’s self titled album. I’m actually happy that this album feels like a continuation of their last. They’re clearly good at what they do, and that’s what I want to hear them doing. Some bands need to realize this and accept it, Good Old War seems to have done both.
M. Ward’s Post War is a phenomenal album. I’m forgetting which song, but one from that album came onto my iPod early in the week, and it just did me so right, that I got into a bit of an M. Ward groove that lasted the next few days. While all of his albums are great, Transistor Radio and Transfiguration Of Vincent, being in the top three, nothing beats Post War. If you don’t listen, that’s the place to start. But also, why aren’t you listening already?
I got Cee Lo’s new album this week. Something I was certainly looking forward to. Unlike most mainstream pop records, this actually packs a few punches and delivers on more than the single. I think we can all agree Cee Lo has been pretty impressive on anything he’s worked on, and this is really no different.
I picked up Scout Niblett’s record The Fool Can Die Now this weekend mainly because I was drawn to the cover, but also because I saw Will Oldham had some work on the album, and that was good enough for me. The songs where he sings certainly shine, but the whole thing ain’t bad.
Surprise, surprise, surprise. Sufjan’s yet again at the top of my listening charts this week. The fact that he was a discography the size of the real Illinois certainly helps, but it’s mostly because by the time I’m done listening to to one album, I want to move onto another. This process can go on for sometime as he’s got quite the range of albums stylistically.
Anyway, some of you may know that the name “Sufjan” means “comes with a sword.” And that is the key to this poster. Sufjan’s sword is certainly not literal, but it is absolutely metaphorical.
I also finally got a chance to see Local Natives this past week. And boy oh boy, really glad that happened. They said the first time they played Philly it was for 2 people at The Khyber… all things considered, what an enormous way they’ve come. The Troc was packed to the brim, and it was shaking at times. I would certainly do your best to see them anytime you can.